Saturday, July 27, 2013
Tuesday, July 23, 2013
Monday, June 03, 2013
Meryl Streep Laughed at That
Friday, May 31, 2013
Crazy Later, my selected comments, second half of May
To Bill Yarrow: Crazy. Do you hear someone
like me while driving? Furry phantom, face it, FUZZ. _Silo_ is the word
I'll R.I.P. applying. I never address another, as near as possible, a
cardinal lesbian sign of respect. Addressing one other, to the nearby
side, rings, as in this crazy poem.
To
Katha Pollitt: My neighbor is brooding. Brood is the word. Yet she may
be without child, as things stand. Pronouns are going out of fashion,
yet I know from routine linguistics, that pronouns were the decision of
our language in favor of inflected gender, masculine, feminine, neuter
in its early roots. Thing in Old English _Niedersachsen_ is a phenomenal word. In your earlier writings, you were the best voice
for choice. A year ago, my neighbor was a sexy graduate student in
fashion design, sounds perhaps shabby, yet if it is, then we in the
Middle West are all shabby. That girl's father graduated from high
school with Bob Dylan in Hibbing, not entitling her to a child. What
might? Are you, is Margaret Atwood, the voice for wandering into
motherhood, awares? No. Christa Forster is at her weblog, Texta. Not that she is gegen Choice. Danke sehr. Einmal.
To Bill Yarrow: A
cataclysm, a swivel. All praise due, delivered. Orchiectomy,
Orchestra, root cellar. Would the men and why-would-the-women thinking
of Orch pirate the $45 M, misteer the renovation, the lobby, dismiss
the musicians?
To Forum
concerning Story ("Mr. Kunitz, Mr. Lowell, Mrs. Craig"): If this story
does not rise to 45 faves on Fictionaut, I shall not leave Fictionaut. I
feel that the Lady, yet alive, who wishes she were us, needs to keep
the further higher, fave location. Her story, “Church Cancels Cow,”
that I read in the middle of Fri-Sat night, caught me laughing
sincerely, guttural laughter, as if dying were worth these narrow lines
(of the story she authored). The end canceled cows and churches. Until
I bought a sack of vinho verde two days later, but I was canceled already, no matter. Sudden stop, end stop, hockey stop, hit the boards, cemetery, running.
To Christa Forster to Charlie Scott re: James Franco's As I Lay Dying:
Ever since Etgar Keret's reading and spontaneous occurrence in
delivered story, that I anticipated for months, if not weeks, at the
Saint Louis Park JCC, I threaten to jump out the first-story window if I
have found disfavor with something, not that he even suggested doing
or suggesting that. Each time I threaten it, I decide against it, in
favor of not curving the well-formed mosquito screen.
At
NBD re: Liz Rosenberg's essay about her childhood depressions: I
enjoyed working as editorial assistant under Liz Rosenberg, editor, at MSS., the literary journal started by John Gardner, Rosenberg's once-husband. It
distresses those of us denied full-time and even part-time employment
in our field, despite our full and even covetable credentials, to read
that salaried English teacher/writers, never not salaried, are claiming
their heritages as the mentally afflicted, as if their mental
afflictions now account for a type of genius that during school days
could only have served to disqualify them, and so were denied or hidden
or in fact not felt in the privileged and protected environments they
occupied. Laws of Gravity as a title concerns me,
given a distinct echo to my own unpublished, unprotected, and
pioneering work at University of Houston in the very early 1990s. Though
I am certainly glad, in a Scottish-writerly sense of that word, an
inborn, unshakeable thoughtfulness on my part, to see that Rosenberg is
writing and publishing fiction after a long hiatus. Gifted and talented is or is not disabled? I'll be waiting to hear.
To Sharon Mesmer at Fb re: literature as self-help in Daily Mail Online: Tolstoy's War and Peace,
early pages, Constance Garnett, translator, contains a description of
feminine beauty to serve as a bar for beauty, a physical measure to
hold in mind in preparing for the Beauty Bar Exam, higher than that
found in almost any snap photography. The Flarf panel at AWP Denver
uplifted my spirits, in part because the panelists, as we once noted
about diagnosed bipolars in an article cited in our group, attended
mainly by displaced liberal lawyers with farm and ethical law
backgrounds: presented as SNAPPY DRESSERS.
To
Susan Lewis, managing editor, et al. at MadHat group at Fb: Literary
journal conquistadoros (anti-socialist?) are thriving and keeping
internal communication to a barest minimum. I realized that I had
earned in literary caregiving .0140 per academic subpoint per hour,
compared to $1 per academic subpoint per hour as earned by a
high-school D-average student working in the technical field in 1998.
$1 per academic subpoint per hour in my case would amount to an annual
regular full-time salary of $1,780.000.
At LA Review of Books, Andrew Scull: http://lareviewofbooks.org/article.php?id=1677. The
history of these men's, including the reviewer's, careers in
dominating understanding of psychiatry, though admirably well-woven
here, is not of interest, I hope, to anyone. It is doubtful that
Sigmund Freud is “a fraud”; it seems to have been needless to take a
single step further, for any of us, in reading. Freud in German, as
Frank Kermode wrote in The New York Times and reprinted in a
later collection of essays, may very well be (Mayberry R.F.D.) better, a
wildly hopeful possibility for further rehistoricizing the social
science of narrative classification of imaginary human categories. As a
non-expert, I might certainly be more interested in a book about The
Test, why there is none and has been none for physiological illnesses
treatable by psychotropic medications, the development of which has
been markedly profitable for certain researchers and scientists. A book
about how Big Pharma finances the humanities might also appeal to my
pedestrian sensibilities. A perfect book about the long psychiatric
study of elite creative writers, rather than of fine arts painters,
musical composers, classical and modern dancers, art dealers, or rock
‘n roll musicians is one I might most like to read. I hope that Johns
Hopkins, the best of the writing schools, medical schools, and
university publishing houses can one day publish it. The spelling genie post-suggested Kermmode, captcha.
Re: Chris Hedges at Truthdig: Thanks,
Borg, dined with apparently very wealthy attorney and his
career-active woman spouse. I felt about him that he was very probably
a phenomenal storyteller. I liked her as well, in that I typically
like people.
Still, I wonder how or why it is that to find out what a law is might cost a small fortune or net one.
Love,
Borga, looking forward to receiving one of my new grammars, not new,
yet new to me. The book I bought about prepositions in English will
serve as a great guide. Seth Lindstromberg is the author. Johns
Benjamins Publishing.
Alexander Cockburn would not tolerate
Chris Hedges' hallucinations well, nor do I. For one thing, poverty is
not an ill, experienced properly. If AP writers' loss of professional
privacy is his concern here, then he might have earned a stripe by
breaking the story.
May 22 to May 29, 2013
Jeff,
is the bookstore yet possible? June 29, Saturday. Keep me notified.
The only good woman's suit in years was body paint, Demi Moore covers.
This year I mostly abstain from shopping. The year I shopped suits in
earnest, nothing available, so I wore a “boyfriend jacket” and black
jeans though they were only so-so. Now I have black jeans I like better
that were snug now loose. Disincluded from the disability poetics
anthology, that grew out of that AWP panel, not due to my lousy
approximation of a good women's suit, skirt OR pants, but due to my
creative response to disability itself, as if the panel TEAM had not
been notified, though I had processed it in emails, that creative
response could be possible. I am still mystified that, in conversation,
I could understand every word Jennifer Bartlett spoke, though I could
not understand a single word a different woman in a literature seminar
spoke, who did most of the speaking that semester from her position at
the end of the seminar table, opposite our kind professor, where the
woman's wheelchair most naturally fit. I can never forget my gratitude
in reading Jennifer Bartlett's essay at Delirious Hem, round 2
fourth wave feminist poetics. Nor fall off in appreciating her poetry.
Intellectual is one of three types of disability listed at the
government disability employment website. Physical is another type. The
middle type is either mental or emotional, word I have not remembered.
Intellectual is also a status, conferred sparingly. Disability is in
not seeking advantage? Disability is in not seizing advantage?
Disability is distractibility? Empathy best routed to characters, as I
had hoped and thought possible at 19. Shaped blouses that conform to my
lines, four hand-spans from the toe to center crotch, four more from
there to the nose.
To
Gloria Garfunkel at Fictionaut, Butterfly Writer piece, May 26, 2013:
There was a poet I met in the late 80s in Binghamton named Jerome
Washington. He had served a prison sentence for killing a man in a bar fight perhaps in the 60s. While
he was in prison, not as Marcus suggests, for no reason other than
writing, and here in the U.S. not abroad, he wrote poetry and arranged
from his position there to have not only his but other prison poets'
writings published. In addition, he fostered ... if that is the word ... legislation that went through and passed as law called Right to Write. After
he visited Binghamton and gave a poetry reading, he flew to Huntsville
in Texas to meet with a man on death row who had refused to meet with
lawyers and would only meet with Jerome Washington. From there, Jerome Washington flew to Boulder to teach a course at Naropa. Years later, I remembered Jerome Washington and visited Google to locate him. He had died by then at the age of 64 at his mother's house. There was a substantial Wikipedia entry about his work and in particular about Right to Write. Some time later, I looked for the entry again, and it was not there. Another
website carried some of the same information about him, as if it had
been rescued, yet the website was less official, more low budget, one
might say, more seemingly temporary, though the Wikipedia entry had
certainly been temporary. Though I have met many other
writers and poets who have been through Naropa, I have not heard anyone
mention or seen in ephemeral writing on the Internet or in lists of
African American literati his name or work. The comment I left at Gloria's posting from yesterday I ought to have saved for my own file but forgot to do so. Now it seems to have been removed if not deleted from the website, perhaps by Gloria. I'll be in the habit more often of self-saving comments.
May 31, 2013, to Chris Okum at “Volonte” at Fictionaut: What is to enjoy? The beginning about use of Vicky's name, which is what I wanted it to say, won my interest instantly. I
can use her name on Mondays, Tuesdays, and Fridays, my misreading, one
that would lead to a very different story, one about kidglove damage
by spies inf(t)ernal. The story it actually is, emanating
from use of Vicky's _house_, gets pretty violent in its projections,
hers (the female persona narrator's), of his behavioral suspicions. Pretty
much “yuck” where it follows, but I suppose “yuck” is where it often
does follow, why there are so many “courts” and split families and
decisions and why marriage is boss. So, for me, not a
pleasant story to read, and yet worthy of a telling if I remember it as
fiction about things American (it seems American) that I dislike. The
word cuckold stayed on my mind for a long time after I almost titled a
long short story “The Cuckold” and the story had no cuckold, so it
would have framed a question had I titled it that. Here cuckold is not in the title but pressed in the book like a flower to dry. It
caused me to think of men and their divorce arrangements and even of
women who played their hand and of whether any of those men had turned
up in short story news or elsewhere, in cafes, as cuckolds and I
decided that no, those men had not. The woman I thought of in particular who had played her hand got very rich in the process. The
story at hand, by Chris Okum, though presumably not about rich people,
with its word “cuckold” in it, raised a new question, for me, about
transfer of a husband's inheritance as cuckold hush money. She,
a salesman's daughter, got his inheritance after it had had a few
babies that resulted in her being awarded one or two of them. Their five millionses multiplied until each first five million had had six babies. The
servants in the family earned a market-rate wage based on their
positions in relation to the permanent wife's, now remarried,
interpretation of her role, very different from his as or as not a
cuckold. SAD story! now that I think of it.
To Therese Svoboda at Fictionaut, May 31, 2013, about her poem in The New Yorker, 1989,
called "Pink": Marcus gets a finder's fee for finding this poem. See
Marc Vincenz or Jeff Davis for fee. I watched and admired your
[Svoboda's] AWP reading from March. Here is probably no place to note
it, but I want to see a march of women in cities around the U.S.
wearing pink burkas. I want to see out the pink burka without ourselves
being able to see in one anothers' burkas. Women only. Women only
women. I do not want to carry up under a pink tent burka but rather
under a private or personal burka or burka of one's own. Pink not as a
cancer color.
Friday, May 10, 2013
Necessary Heat
Jane Vanderbosch told me before Pastor Santo hid in flames then perished
that I was spiritual and hid my strength. Liz was blue-eyed, naturally
frizzy-blond, honey-tanned in summer. One day, a pleasant semblance took accord.
It was Liz and somehow John Lennon around her face, at her piano, her fingers
tiptoeing middle C, ebony to ivory, like goldhips. What is writing, Rick B.? You
appear in your photo to be more handsome than your first brother. Sudden
memory: ”Question mark? Curly cock. Exclamation! Stiff prick.” Eric
deserves a position in this/our native country. Next I’ll suggest he go home to
Oakland—a call for imaginative conduct—no mere white man living near here in
the Middle West, west of Milwaukee. Mne Sota Makoce. The Land of the Dakota.
Poet Anonymous lives in America—harped miscegenation, once, to Dr. Poetry,
Ph.D., whose master’s pay was unrelated and horrid. Elizabeth Brown-Guillory
fired the word, too, in Black Women Writers, the first I’d heard it—shuffleboard puck down center aisle, seminar table, into the net of the door. Hockey
was my favorite sport, early. Trailing my father’s walking lesson, he
conducted me in hand, north along Williston Road to the Ice Arena behind our
City Hall. During the game, I rose in the stands, with all-out alarum, in favor
of my future high school team. Liz startled, egyptically—then resumed. Not a
soul or spirit could have predicted it, my enthusiasm. Hover-seeing, the hockey
cheerleader jump-split it.
This story appears at Fictionaut. First composition, February 14, 2013, revised off and on since, as is my present practice with stories I have written this year sur les amis. Original version(s) may be available to those interested. Latest revision, October 30, 2014.
My mother has shared, with enthusiasm, the plot of a non-fiction account of the Church's view of curiosity before and during the Renaissance in The Swerve: How the World Became Modern by Stephen Greenblatt, winner of the Pulitzer Prize and National Book Award in nonfiction. ~AMB
Flash Mob 2013 entry: http://flashmob2013.wordpress.com/
My mother has shared, with enthusiasm, the plot of a non-fiction account of the Church's view of curiosity before and during the Renaissance in The Swerve: How the World Became Modern by Stephen Greenblatt, winner of the Pulitzer Prize and National Book Award in nonfiction. ~AMB
Flash Mob 2013 entry: http://flashmob2013.wordpress.com/
Labels:
creative nonfiction,
CS,
Fictionaut,
short story,
story collection
Monday, April 08, 2013
Letter to John Berryman
Letter to John Berryman
by Ann Bogle
for Christa Maria Forster
Maybe we'll try elevator music again. That would appeal to the senses. As the book begins to close, Normandberger appears as sister speech, endearing term for summer friend. A friend of a deep friend, a serious secular religious poet living near Chicago, Bill Yarrow. Festshrift my favorite writer. Jane Bowles. Feminine wiles. I'll go Scottish on my oath. An escort from Moscow inspired my friend in writing his novel on bedding. Deep set women laboring deep set men. I thought of Stephen Dunn's poetry about divorce in the bookshop in St. Paul.
Maybe we'll try elevator music again. That would appeal to the senses. As the book begins to close, Normandberger appears as sister speech, endearing term for summer friend. A friend of a deep friend, a serious secular religious poet living near Chicago, Bill Yarrow. Festshrift my favorite writer. Jane Bowles. Feminine wiles. I'll go Scottish on my oath. An escort from Moscow inspired my friend in writing his novel on bedding. Deep set women laboring deep set men. I thought of Stephen Dunn's poetry about divorce in the bookshop in St. Paul.
Based on a photo: Evie Shockley is protected, a garden herb, better than hosta. I met her mid-flight in a windowed elevator in Atlanta. I met Dunn in the same elevator at ground level going up. Hilda Raz's son's speech on the panel where Dunn described his date with Liza Minnelli left me disconcerted.
Hilda Raz had lost a daughter. Her son gained a persona, backed by biological components. His male-pattern baldness impressed me. In the elevator Dunn said he'd seen that I had cried at it, the loss to female pride, as I experienced it. Dunn said he had known already about Raz's son.
Leo Kottke and I happened to go to lunch the same day in Excelsior. I ate like a man, soup, as I always do. I tend to be thin yet eat unapologetically. He flickered rue when I said I had bipolar, as if saying so would not go well. It was a publisher who released Janet Frame. As I put it, “Fat chance.” He said he was in a correspondence with Kay Redfield Jamison. Creativity clears sinus, a middle path, a moral resistance to flight and melancholy as savored by artists, so knock on stove for Sylvia Plath, whose nature poems outstrip mirth. We are fluent in English not at the roots.
My doctor, Faruk S. Abuzzahab, is polite about Jamison, who renamed the illness bipolar disorder without taking a medical degree. I wonder how they corresponded. Depression appears in Kottke's trombone piece:
(By the time I knew depression was free, and that I didn't have to play trombone to be depressed, I'd imitated its “mood” for so long that I couldn't refuse the Damned Cloud when it did arrive. If you've been imitating the seeming cool, the detachment, and the languor, genuine depression won't be noticed until you tire of your pose. Bored with oceanic despair, you reach for the ladder back into the boat and you drown: no ladder.)
My old dad died of cancer in 1992. He gave a grateful noise unto the Lord. He trod the Earth's surface to file for me. He loved me, and I loved him. “I did it with my dad. I did it wearing plaid and now I'm glad”—I thought of quipping smartly, after one could, to Beauty in the Lounge. Did it by avocation, not meaning sex—activities that clear the way to Personality, such as fishing in the row boat on St. Alban's and near the channel at Gray's—we tied a blue-and-black fly to plant a seed in Time.
Seven years after he died, I sat in A.A. at St. Luke's Presbyterian, where Reverend Hudnut had baptized me, a glad-tidings girl, who grew to belonging, too soon to miss by ugly design. Cattle resembling my grandmother's family rolled by meekly in a row, orienters to a future past. I said my father had died and rested in the cemetery near the church and school. I wasn't healed, though the therapist in Houston had allotted one session for grieving.
My dad was an Army Reservist stationed in the U.S.—New York and Texas—the bugler in his corps. He golfed on summer weekends in the course of his career. I had seen houses watercolored prettily within the lines on L.S.D. after noticing nothing in particular twice. He called at nine on a Saturday morning to hear my review of that picture. Wisconsin Synod and Episcopalian became hard of ringing part of one day. Christa was from San Juan Capistrano. A story is a nest like a small wooden boat set as a hymn in the slanting tree.
Whosoever befriends, let friends believe free feeling. Christa would say, “Offer it up!”
I drove once, not expected, to my boyfriend's house in Sugar Land. Twenty-five miles. He acted amused when he opened the front door. I said, “I'm not stalking you. I love you,” and he said, “Come in. What are you doing standing outside?”
Published in Wordgathering, Reading Loop, September 2014: http://www.wordgathering.com/issue31/reading_loop/bogle.html
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